Wender·Vista
Black-capped vireo Edwards Plateau
shown on ceramic, 12-inch tileTexas
the oak-juniper shrubland of central Texas

Black-capped vireo Edwards Plateau

— the bird that came back from the brink.

Texas wall art on a ceramic tile, made to order
from $22
Finished by hand in Knoxville. Free US shipping over $75, on your wall in about ten days. Damaged in transit? Free replacement within 30 days; other returns within 30 days. Returns · Contact
Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
In the living room, above the sofa.
In the living room, above the sofa.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
On the nightstand, catching the morning.
On the nightstand, catching the morning.
In the entryway, first thing you see.
In the entryway, first thing you see.
A quiet corner of the bath.
A quiet corner of the bath.
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Black-capped vireo Edwards Plateau, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

a note from the studio

A small olive-and-white songbird with a glossy black cap and bold white spectacles, breeding in the shin oak and live oak scrub of the Edwards Plateau. Listed endangered in 1987, delisted in 2018 after three decades of cowbird trapping and habitat work, much of it on Fort Hood. The males sing from the same shrub for an hour before they move.

from the studio
about Black-capped vireo Edwards Plateau

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Edwards Plateau covers roughly 24 million acres of central Texas, a limestone uplift defined to the east and south by the Balcones Escarpment. The plateau supports a mosaic of grassland, oak-juniper savanna, and dense shin oak shrubland on shallow karst soils. The black-capped vireo (Vireo atricapilla) breeds in the shrub layer from March through August, then migrates to the Pacific slope of west-central Mexico. Strongholds include the Fort Hood military reservation near Killeen, the Kerr Wildlife Management Area, and the Devils River drainage in the west.

the year

The vireo was listed as endangered by the US Fish and Wildlife Service in 1987, when fewer than 350 known males remained across Texas and Oklahoma. Brood parasitism by the brown-headed cowbird was the largest pressure; cowbirds laid in vireo nests and the hosts raised the wrong young. Three decades of cowbird trapping and habitat management, much of it on the Army's Fort Hood, recovered the population. USFWS delisted the species in 2018. The Texas count has since exceeded 14,000 territorial males across the breeding range.

— informed by USFWS — 2018 Delisting
the season

Males arrive on the Edwards Plateau in late March and hold territory through July. They sing from the same shin oak motte for an hour at a time, a bright, irregular phrase that fits no easy template. Pairs build a cup nest hung from a low fork. Migration south begins in August and the wintering ground is the Pacific slope of west-central Mexico, in dry deciduous forest from Sinaloa to Oaxaca. The bird is rarely seen outside the breeding season except by birders who travel to its winter range.

where
United States · Edwards Plateau, central Texas
position
30.5000° N · 99.5000° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
110 km NE
Fort Hood
military reservation
60 km S
Kerr Wildlife Management Area
wildlife management area
130 km E
Balcones Canyonlands NWR
national wildlife refuge
N
Black-capped vireo Edwards Plateau
Fort Hood
Kerr Wildlife Management Area
Balcones Canyonlands NWR
common questions

What people ask.

A few questions we get about Black-capped vireo Edwards Plateau — and about bringing the piece home.
about the place

A small songbird, Vireo atricapilla, about 4.5 inches long. Males have a glossy black cap, bold white spectacles, and an olive-green back. They breed in oak-juniper shrubland in Texas and Oklahoma and winter on Mexico's Pacific slope.

On the Edwards Plateau of central Texas from late March through July. The Kerr Wildlife Management Area, Balcones Canyonlands National Wildlife Refuge, and parts of Fort Hood are reliable. Listen for males singing from shin oak mottes.

Brown-headed cowbirds parasitised vireo nests at very high rates, replacing vireo young with cowbird young. Habitat loss to grazing and juniper encroachment compounded the pressure. By 1987 fewer than 350 known males remained range-wide.

Cowbird trapping and habitat management, much of it on the Army's Fort Hood near Killeen, restored breeding success through the 1990s and 2000s. By 2018 the Texas count had passed 14,000 territorial males and USFWS delisted the species.

A bright, irregular series of warbled phrases, more emphatic than the white-eyed vireo and less measured than the red-eyed. Males sing from a single perch for stretches of an hour. Once heard, it is hard to confuse with anything else.

about the piece in your home

It carries for birders, biologists, and anyone who has worked the Kerr WMA or Fort Hood. The black-capped vireo is one of the few clear conservation wins of the past three decades. A Small or Medium with a studio note travels well.

Suits Hill Country modern, organic warm, and Japandi-leaning interiors. The olive, ivory, and ink black of the bird hold up against limewashed plaster, raw oak, and linen. Also reads well in a study or library.

A single Large carries a console or sofa wall. A 4-tile Mural opens above a long sectional. For a bird subject this fine-detailed, Reid often suggests the Medium for a desk or a small reading nook.

Yes, in Dura Satin or Matte. Both finishes resist scratching and tolerate steam and splash. The Glossy finish is for dry-wall installations and framed pieces rather than for shower or sink surrounds.

A microfibre cloth and water. The colour is slowly infused into the ceramic surface beneath a thin protective finish, so it does not wear or wash off. No specialty cleaners are needed.

Yes. Every WenderVista piece comes from a single studio in Knoxville, Tennessee, curated by Reid Wender. No licensing, no reseller stock, no second printings under another name.

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