Austin City Limits stage

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

Since 1974. It is the longest-running music program in American television history, first broadcast on PBS with a pilot featuring Willie Nelson recorded on the University of Texas campus.

At ACL Live at the Moody Theater, on West Second Street in downtown Austin. The show moved there from KLRU's Studio 6A on the UT campus in 2011, after thirty-six seasons in the original studio.

It is a painted backdrop based on the actual Austin skyline, redrawn over the years to keep up with the city. The current version shows the Frost Tower and the Texas Capitol against a deep blue.

Tapings are free and distributed by lottery a few days before each show. Entries open at acltv.com, and a small standby line forms on the night of the taping outside the Moody Theater.

They share branding but operate separately. The festival began in 2002 in Zilker Park and is produced by C3 Presents. The show is produced by Austin PBS and tapes through a fall season at the Moody Theater.

Willie Nelson, in the 1974 pilot. The show was created by Bill Arhos at KLRU to capture the Austin progressive country scene around Nelson, Jerry Jeff Walker, and Asleep at the Wheel.

The stage and skyline are the closest visual shorthand Austin has. A Small or Medium reads from across a studio, and the deep blue and warm stage lights work in almost any music room.

Mid-century modern, industrial-loft, and warm-Bohemian rooms hold it well. The dark backdrop and saturated stage lights also work as a focal piece in a maximalist gallery wall or a home recording space.

Music memorabilia and concert-poster styled art have stayed strong in mid-century and music-room interiors. A piece tied to a specific named stage reads more collected than a generic rock print.

A single Large tile carries a sofa wall in most rooms. For longer walls, a 4-tile Mural fills handsomely, and a 9-tile Mural reads as a statement piece in a music room or studio.

Yes, in the Dura Satin or Matte finish. Both are scratch-resistant and built for vertical installation around water. Glossy is reserved for framed wall pieces in dry rooms.

A soft microfibre cloth with plain water, or a damp cloth for stubborn marks. The colour lives inside the ceramic surface, so it cannot be scrubbed off.

Yes. Every WenderVista piece is painted in-house and not licensed from any third party. The Austin City Limits stage is part of our Texas music-room program, curated by Reid Wender.