Chateau-sur-Mer Stick Style facade

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

The original house was completed in 1852 for William Shepard Wetmore, a China-trade merchant. Richard Morris Hunt remodeled it in 1872 for Wetmore's son George Peabody Wetmore, giving the house its current High Victorian character.

Seth C. Bradford designed the original 1852 house. Richard Morris Hunt's 1872 remodel added the mansard roof, the bracketed eaves, the central tower, and the carpenter-detailed porches and overhangs of the current facade.

The Wetmore family lived in the house for nearly a century. George Peabody Wetmore, a United States senator from Rhode Island, was the longest-tenured resident. His daughter Edith deeded it for sale in 1968 to what became the Preservation Society.

On Bellevue Avenue in Newport, Rhode Island, a short distance south of downtown and a few hundred yards from the Atlantic-facing Newport Cliff Walk. It is the first major mansion encountered driving south down Bellevue.

Yes. Chateau-sur-Mer is operated as a museum house by the Preservation Society of Newport County, with tours generally available from late spring through the New Year, including the annual Christmas-at-the-Newport-Mansions program.

Yes. It is a contributing building of the Bellevue Avenue Historic District in Newport, designated a National Historic Landmark in 1976 for its concentration of Gilded Age summer architecture.

It carries well for Newport regulars, Preservation Society members, and anyone drawn to Gilded Age architecture. A Small or Medium with a handwritten note from the studio reads as a chosen piece rather than a souvenir.

The granite greys, mansard slate, and warm woodwork tones sit cleanly in Traditional, Grandmillennial, and Dark Academia rooms. Also strong against a warm white wall in a more pared-back room with antique furniture.

Grandmillennial and refined-traditional palettes have held strong for several seasons. The piece reads as a Newport house specifically, which is what gives it weight in a more curated traditional room.

Over a console table, a single Large reads correctly. Over a standard sofa, a 4-tile Mural anchors the wall, and over a long sectional or sideboard a 9-tile Mural gives the facade the horizontal room it needs.

Yes. Order the Dura Satin or Matte finish for any vertical install in a kitchen, bath, or mudroom. The colour is infused into the ceramic surface and holds against steam and splash.

A soft microfibre cloth and plain water. No abrasive cleaners, no ammonia. The colour lives inside the ceramic surface beneath a thin glossy finish, so the wipe is just for dust.

Yes. The piece is original to Wender Studios in Knoxville, Tennessee. Curated by Reid Wender, hand-finished in-house, no licensing.