
— the red square the rest of Spain copied.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.
Three or five different vistas, hung together — a chapter of places you've been, or want to go.
“A wide rectangle of arcaded buildings painted Castilian red, set in the centre of Valladolid. After a fire in 1561, Philip II had the square rebuilt to a single regular plan — the first plaza mayor of its kind in Spain. The arcades on the ground floor were laid for shelter and shop fronts; the iron balconies above for watching the city from a chair. Madrid's and Salamanca's squares were modelled on this one. Pedro Ansúrez stands in bronze at the centre. from the studio
Plaza Mayor sits at the historic centre of Valladolid, the capital of the autonomous community of Castile and León. The city lies on the meseta at roughly 698 metres elevation, on the Pisuerga river west of Madrid. After a fire destroyed much of the medieval centre in 1561, Philip II commissioned Francisco de Salamanca to rebuild the square to a single rectangular plan, the first regular Plaza Mayor in Spain. The current arcaded blocks date largely from that reconstruction, with later restorations. The Casa Consistorial occupies the north side.
The square is roughly rectangular, about 80 by 110 metres, bordered on all four sides by uniform three-storey buildings painted a deep iron-oxide red with white trim. The ground-floor arcades are continuous, cut for shops and cafés. The Casa Consistorial on the north side carries a clock tower in the centre of its façade. At the heart of the plaza stands a bronze statue of Count Pedro Ansúrez, the eleventh-century repopulator of the city, installed in 1903 on the eight-hundredth anniversary of his death.
The square is open and free, with the Casa Consistorial visited on request and during civic events. Tapas crawls along the arcades, especially on Calle Correos and Calle Cebadería, are how Valladolid eats on weekends. Renfe high-speed trains reach the city from Madrid Chamartín in under an hour. Valladolid is small enough that the cathedral, the Plaza Mayor, and the National Sculpture Museum can be walked in a single afternoon, with the Campo Grande park as a quiet end to the loop.