Wender·Vista
Maria Luisa Park fountains
shown on ceramic, 12-inch tileSpain
along the Guadalquivir in Seville, beside the Plaza de España

Maria Luisa Park fountains

— shade, tile, and the sound of water.

Andalusia wall art on a ceramic tile, made to order
from $22
Finished by hand in Knoxville. Free US shipping over $75, on your wall in about ten days. Damaged in transit? Free replacement within 30 days; other returns within 30 days. Returns · Contact
Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
In the living room, above the sofa.
In the living room, above the sofa.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
On the nightstand, catching the morning.
On the nightstand, catching the morning.
In the entryway, first thing you see.
In the entryway, first thing you see.
A quiet corner of the bath.
A quiet corner of the bath.
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Maria Luisa Park fountains, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

a note from the studio

Forty hectares of Moorish-Andalusian garden along the river in Seville, donated by the Infanta María Luisa Fernanda in 1893 and shaped for the 1929 Ibero-American Exposition. Tile benches, fountains, pavilions left from the fair. Orange and palm trees, parrots in the canopy. People come for the shade, the water, and the Plaza de España next door.

from the studio
about Maria Luisa Park fountains

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Parque de María Luisa runs along the Guadalquivir on the southern edge of Seville's historic centre. The grounds came from the Infanta María Luisa Fernanda de Borbón in 1893, then were redesigned between 1911 and 1914 by the French landscape architect Jean-Claude Nicolas Forestier for the 1929 Ibero-American Exposition. Around 40 hectares of formal gardens, fountains, rose terraces, and pavilions remain from the fair. The Plaza de España, the Plaza de América with the Museum of Popular Arts, and the Mudéjar Pavilion all sit inside or beside the park.

the water

Forestier shaped the park around water in the Hispano-Moorish tradition: the Fuente de los Leones modelled on the Alhambra, the Fuente de las Ranas with eight ceramic frogs around the basin, and the Glorieta de la Concha among many others. Tiled channels and shallow basins move water through the gardens. The fountains run through the long Andalusian summer, when Seville's afternoon temperatures regularly pass 38°C, and the sound of moving water is half the reason locals come.

the visit

The park is free and open daily, from around 8am to 10pm in summer and closing earlier in winter. Horse-drawn carriages line up at the Plaza de España gate; rowing boats work the canal there. The closest tram stop is Prado de San Sebastián. Most visitors enter from the Glorieta de San Diego near the Plaza de España and drift south through the rose gardens and the pavilions toward the Costurero de la Reina, the small Mudéjar building that now houses a visitor centre.

where
Spain · Seville, Andalusia
within
Parque de María Luisa
position
37.3753° N · 5.9889° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
at the lake
Plaza de España
1929 expo plaza
1 km N
Real Alcázar of Seville
Mudéjar royal palace
1 km N
Seville Cathedral
Gothic cathedral
1 km NW
Torre del Oro
Almohad watchtower
2 km W
Triana
Guadalquivir-side quarter
N
Maria Luisa Park fountains
Plaza de España
Real Alcázar of Seville
Seville Cathedral
Torre del Oro
Triana
common questions

What people ask.

A few questions we get about Maria Luisa Park fountains — and about bringing the piece home.
about the place

Seville's main public garden, around 40 hectares along the Guadalquivir, donated by the Infanta María Luisa Fernanda in 1893 and redesigned by Jean-Claude Nicolas Forestier between 1911 and 1914 for the 1929 Ibero-American Exposition.

French landscape architect Jean-Claude Nicolas Forestier shaped the modern park between 1911 and 1914, working in a Hispano-Moorish idiom with tiled fountains, sunken gardens, and pergolas drawn from Andalusian Islamic precedent.

Among others: the Fuente de los Leones modelled on the Alhambra, the Fuente de las Ranas with eight ceramic frogs, the Glorieta de Bécquer, and the long channels that line the Plaza de España at the park's northern edge.

Yes. Entry is free year by year, from roughly 8am to 10pm in summer and earlier in winter. The pavilions inside it, including the Museum of Popular Arts on the Plaza de América, keep their own opening hours and fees.

A semicircular pavilion built for the 1929 Ibero-American Exposition by architect Aníbal González, with tiled benches representing each Spanish province and a canal that rowing boats still cross.

Walk south from the Real Alcázar along Avenida de Roma, or take tram T1 to Prado de San Sebastián, then enter through the Glorieta de San Diego.

about the piece in your home

It has been a meaningful gift for many of our customers with Sevilla connections. The park and its fountains are part of the everyday life of the city. A Small or Medium with a handwritten note from the studio carries well.

It sits naturally with Spanish-revival, warm Mediterranean, and jewel-tone interiors. The cobalt, green, and ochre also work against limewashed walls and dark walnut.

Yes. The current warm-Mediterranean direction leans on tiled blues, terracotta, and brass, the same palette that runs through the park's azulejo benches and basins.

Above a standard sofa the single Large reads from across the room; a 4-tile Mural fills the wall; a 9-tile Mural becomes the centrepiece. Above a console, a Medium or Large works.

Yes, in the Dura Satin or Matte finish. Both are scratch-resistant and made for vertical wet-room installation. The Glossy finish is intended for dry-wall art and framed pieces.

A soft microfibre cloth and water. No abrasive pads, no harsh solvents. The colour is slowly infused into the ceramic surface under high heat and pressure and rests beneath a thin glossy finish.

Yes. The piece was made by Reid Wender in our family studio in Knoxville, Tennessee. It is not licensed and not sold anywhere else.

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